Behind every Grammy-winning song is a producer who connected all the puzzle pieces to create a piece of art. Dive into these producers’ discographies and sonic brilliance by tuning into these underrated songs.
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The moment I drove by the San Antonio Greyhound Station and screamed their name as they boarded, I realized I had found true love to the strumming guitar of Pierce the Veil’s “Kissing in Cars.”
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Legendary rock band Journey performed at Moody Center in Austin, Texas on March 31 for its ‘Final Frontier’ tour.
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On Mar. 28, Grits, Lyndigo, and Camille Stities performed on the Chess Club stage in Austin, Texas for Afterglow ATX’s spring showcase.
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Emo-rock band Hawthorne Heights performed at Emo’s in Austin, Texas on March 29 for their ‘Lonely World’ tour with support from Creeper and Letlive.
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East Texas musician Paul Cauthen brings his ‘TONKIN’ N’ TEXAS’ tour to Antone’s Nightclub on March 30 with opening acts Mitchell Ferguson and Delaney Ramsdell.
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Alternative artist Rochelle Jordan played to a sold-out crowd at Brushy Street Commons on April 1 with support from DJ Chrysalis.
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Indie-rock band Winyah performs a sold out show at Antone’s Nightclub on March 27 with support from Edgehill.
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Folk-pop artist Jonah Kagen performed at Antone’s Nightclub on March 28 with support from Jack Barksdale.
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The Last Dinner Party opened the North America leg of its ‘From The Pyre’ tour in Austin, Texas on March 27 with support from Florence Road.
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Indie-pop artist BENEE performed at Historic Scoot Inn in Austin, Texas on March 27.
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Rainbow Kitten Surprise brings its ‘bones’ tour to Austin, Texas on March 25 with support from Common People.
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At the end of each month, Afterglow presents a staff-picked list of new albums and singles that left a lasting impression on our ears.
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Austin-based artists Kohanna and Tuskola charmed the audience with atmospheric energy at Stubb’s Indoors on March 26.
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Since the onset of the modern state, governments have sowed their ideological seeds into their citizenry with propaganda, often using music as a means to do so. But posters of pointing men line the streets no longer, and traveling jazz bands have faded into antiquity, leaving the question: Has musical propaganda stopped? Or has it just gotten sneakier?
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Five years after its release, the equal parts jazzy and electronic Promises still stands as a time capsule of the post-covid period, and a looking glass into a turbulent decade ahead.
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Chicano culture goes deeper than just a stereotypical image many may have, and certain artists are still prominent, from Thee Sacred Souls, to Brenton Wood, or Los Yesterdays.
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The young Louisiana band is turning a college-party reputation into a launchpad to garage-rock stardom far from the traditional cover-band circuit.
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