Austin City Limits highlighted Hispanic descent on the very last day of the festival with diverse performances from indie-pop singer Chezile, synth-pop group Midnight Generation, and experimental Latin-trap duo Ca7riel & Paco Amoroso.
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The short-lived — yet still thoroughly pioneering — Tropicália movement of the 1960s challenged Brazil’s military dictatorship through carefully-cultivated music rooted in defiance and eagerness for change.
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Natalia Lafourcade traded teenage pop stardom for peace of mind. Since then, she has given performing another chance, and her newfound Latin sound has made her one of Mexico’s most beloved artists.
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