With electronic music constantly developing, artists are making the genre more diverse than ever. And truth be told, there’s something for everyone to enjoy.
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Smino is back with his sophomore project and continues to make every style he executes look easy.
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With the release of Kacey Musgraves’ album Golden Hour, queer folks have started to embrace country music. I look at the history of queer women specifically in the genre. Watch out! The gays are coming for your cowboy tunes!
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Many young adults cling to the comfort of animated children’s shows as they straddle the line between adulthood and childhood, finding peace in the shows’ uses of popular music.
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Musicians being outwardly vocal on societal woes and political issues is nothing new. In the wake of the 2018 midterms, we explore Travis Scott’s outpour of support for Beto O’Rourke.
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Midterms are rough. One moment you’re binging Big Mouth on Netflix and the next you have three tests to study for. Here is a playlist to keep you feeling on top of the world.
In her new album Shake the Spirit, Elle King reveals to listeners the trials and tribulations she’s faced in the past year.
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An analysis of “Girl” by the Internet presents a new portrayal of women from within the LGBTQ+ community.
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Afterglow explored the University of Texas at Austin in hopes of finding the best freestyler on campus.
With data playing an increasing role in music today, music will never be the same, but who said that change has to be bad?
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“Woman Like Me” by Little Mix breaks gender stereotypes and challenges the status quo by questioning society’s ability to view men and women as equals.
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Post Malone’s manager Dre London took a day to visit UT Austin and hosted a panel in which he offered his unique insight into the music business and offered advice on making it in the industry.
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Gender who? Haven’t heard of it!
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In his newly released EP Poison Ivy, Lean contemplates questions about his drug addiction while continuing to maintain his usual style.
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Vince Staples returns one year after the release of his critically-acclaimed sophomore album to drop a project paying homage to his biggest fan.
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Hip-hop is often criticized for its notorious hypersexualization of women, but by looking at Kendrick Lamar's"These Walls," we can see a more nuanced understanding of the genre’s portrayal of women.
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Emo was once a burgeoning subgenre of rock, on the forefront of mainstream culture. The genre left its mark on the early 2000s, as its artists’ expressed emotions in a new way. Nearly two decades later, the genre has reemerged in an unlikely form: rap music.
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Sub Pop has carried the musical torch for troubled youths over decades, evolving from the Seattle grunge sound of the 90s to a broader base of genres including indie folk and ambient dream-pop, all while staying just as sad and just as relevant.
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