After honing her talents on a number of projects and collaborative hits, the rapper’s debut is a masterclass in rhythm and rhyme.
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During the pandemic, UT freshman Ava Nielsen has taken advantage of her home studio: she writes, records, and, with the help of her sound engineer dad, produces songs. Afterglow had the opportunity to capture Nielsen recording a cover of “Take Me to Church” by Hozier and working on original music.
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Melody’s Echo Chamber uses experimental instrumentals and multilingual lyrics to explore the rabbit hole of her imaginative mind.
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From shutting down the New York Stock Exchange to playing at multiple American political party National Conventions, Rage Against the Machine has performed protest music since its 1992 debut.
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This holiday season, we’re stuck like never before.
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Danger Days: The True Lives of the Fabulous Killjoys still exudes MCR's rock and roll authenticity with a glam punk twist a decade after its release.
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Both artists coming off of major releases earlier this year, Future and his protégé Lil Uzi Vert continue their extensive 2020 campaigns with this collab.
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Though lacking innovation, Kylie Minogue’s 15th studio album is a solid choice for any quarantine dance party.
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Five years ago, the release of Adele’s third studio album marked her triumphant comeback in a new direction that symbolized reconciliation and moving on from relationships, steering away from her signature heartbroken style.
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Classic college beers are always better with music. We’ve paired each cold one to its perfect song.
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In an intense haze of flutes, whimsical lyrics, dark basslines, and fantastical creatures, Austin’s own Nolan Potter’s Nightmare Band is pure sensory overload.
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Sisters, brothers, friends, enemies, or lovers, those who make music collaboratively develop relationships — and those relationships have stories.
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The members of Taking Jupiter talk about their debut album, releasing music in Mongolia, and how COVID-19 has impacted them.
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Through her fusion of breakbeat production and early Taylor Swift songwriting, Jaime Brooks' Default Genders has not only carved her niche in the pop landscape, but created the soundtrack for plights of the internet age.
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Visuals inspired by Rich Brian’s “Love in My Pocket,” from his most recent album, 1999.
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Shakey Graves performs at Haute Spot in Cedar Park as part of the Love + Lightstream drive-in concert series.
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The marathon listen of Pegasus is a turbulent, but familiar trek for Trippie Redd fans.
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Austin-based pop singer AJ Abdullah savvily uses his ukulele tunes and Instagram reels to propel his up-and-coming career.
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